I got my only tattoo when I was 18. I was in Boston for the first time, celebrating New Year's Eve in the North End. It was crazy cold, and we were crazy drunk. Liz, my amazonian friend--who would one day wear bright red dreadlocks and become incapacitated by my gravity bong--convinced me that this was a good idea. A tattoo. She knew what she wanted, was going the next day to get it. Would I come?
So there we were on the northern border of Massachusetts, just far enough into New Hampshire to get legally inked. I picked a design off the wall. It felt like a bee stinging. We walked through the snow giggling, back to a car that would leave us stranded for six hours.
The beginning and the end. That's what I chose. A chinese character in black on the back of my neck. One symbol, two words, everything included.
What I liked about the idea of a tattoo was that it could be an outward sign of inner hurt. I have a four-inch scar on my arm to remind me that I climbed a barbed wire fence. I have dents in my mouth where they took my wisdom teeth. I didn't have anything to mark the day my mother left.
For a long time, I drank margaritas on her birthday. For years I took the day off, the day she died, to ride horses. Because that's what she loved to do. But I've long since stopped celebrating her birthday. And this year, I forgot the day she died.
We had fondue with friends, went to a movie. We came home and drank and listened to classical music. Because that's what we love to do.
When I put my fingers to it, I can feel the faintest rise of the beginning and end on my neck. "They cancel each other out," I used to say. Cancel each other out, as in zero. As in a blank page. Grief can be such a selfish thing that forgetting feels like a triumph. Just another day.
2 comments:
You know the odd thing? This year, I remembered the date.
I think it was probably your post that made me remember last year. That was the first time in years that I'd really thought about the nature of grief.
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